New Release: Winter Well

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Winter Well: Speculative Novellas About Older Women

My novella Copper comes out today in Winter Well from Crossed Genres. I’m ecstatic to be a part of this anthology as a writer, and I’m even more ecstatic I got to read this anthology.  The stories in the book gave me the same sense of wonderment while showing new truths about the world around me, that I remember having in my first forays into science fiction.  

I decided to skim through the book the other night as I hadn’t read the other stories yet. I was quickly sucked into the collection and it didn’t let go until I was finished at 3 AM. There’s something in this collection for everyone. Even if you don’t enjoy my story, I’d bet one of the others will grab you and linger on in your mind after. 

 

 


The Next Big Thing – Work In Progress

I’ve been avoiding doing a Next Big Thing blog-hop for my current Work in Progress since late last summer, but when I got a tag inquiry from editor/writer Kay Holt, I said yes. She edited my upcoming novella “Copper” for Crossed Genres Winter Well, and I feel confident saying we both enjoyed the editing process on it and I eagerly hope to work with her again in the future. I suggest checking out her Next Big Thing entry. I know it has me interested in reading what she’s cooking up.

I’ve been in need of a good kick in the pants to finish up my Work In Progress. I’ve set it aside several times to work on other projects (most of which ended up published), but I fear my Alpha Readers (who get chapters as I finish them) are plotting to gang up on me and tie me to a chair if I don’t finish this one soon.

1. What is the working title of your next book?

Runed Creek: Sacrifice

2. Where did the idea come from for the book?

I had a dream where a woman went back to her childhood home and has to break up a human sacrifice her mother and aunt have set up as one of her grandfather’s last wishes. After she’s freed the old man and young child, she takes her family to task for their actions… and suddenly everything changes. Magic flows into her from the house, and she hears her grandfather’s voice– but coming out of her ex-husband’s body.

I immediately knew it was a story, one I had to write, and began feeling around the edges to find out who these characters were and how they’d gotten to that point, and why they lived in an old mansion with that kind of power flowing through it.

3. What genre does your book fall under?

I like to call it “Rural Fantasy” it has a sort of Urban Fantasy vibe and is set present day, but it takes place in a rural setting.

4. What actors would you choose to play the part of your characters in a movie rendition?

Since I spend most of my spare time writing I’m not as up on current actors as I could be so I had to crowd-source this casting among my Alpha-readers.

Mishal - Rooney Mara with her natural hair color. She’s got the ability to do serious and sardonic and be powerfully angry as this character requires.

Grandfather – Jeff Bridges is pretty close to the voice I imagine for this character and in a movie version he’d be nothing but a voice 99% of the time.

Llewe – Is a casting nightmare, and neither myself nor any of my Alpha-readers could think of anyone known with the physicality to convey both his own character and do the quick posture and facial changes to denote Grandfather speaking through him.

Radley – Joseph Gordon Levitt, he’d be adorable with a blue mowhawk and a good fit as Mishal’s mellow DJ cousin.

Iccy – *retracted due to spoilers*

5. What is the one-sentence synopsis of your book?

Middle-Aged Chaos Mage goes back to the small magical town she grew up in, where magic, family, and the Norse Pantheon conspire to put her in charge of keeping the world from ending.

6. Will your book be self-published or represented by an agency?

I’m planning to shop it around. Who knows?

7. How long did/will it take you to write the first draft of the manuscript?

I write pretty slow. When I’m really pushing on a project I try to average 500 words/day. Some days I write 2000, others none, but as long as I average 500 I don’t stress it too much. I also tend to put long-fiction projects aside for shorter fiction calls. I started this story two years ago, and hope to finish a draft by the end of summer.

 8. What other books would you compare this story to within your genre?

I‘ve been told this has the same sort of vibe as the Kate Daniels books by Ilona Andrews but I’m not personally familiar with them.

I like to say I write tragically funny fiction. Everything I write has aspects of both tragedy and comedy with mythical influences of one kind or another. This particular world has more comedy than tragedy but there’s enough to keep it from being silly.

9. Who or what inspired you to write this book?

The dream I had led me to start looking at pictures and researching places this town could possibly exist. While pouring over maps of a likely area I found a small lake with a name that fit just a little TOO well to not use and then other things started to fall into place.

10.What else about the book might pique the reader’s interest?

It’s got cats, gnomes, demons, dwarves ordering shoes off the internet, druid dads, shamans, Dead Heads, ghosts, a marmot pooka, and a reliable 1953 claret red Jaguar MK VII as made possible by dark magics.

For other stops on the Blog Hop Check Out:

M. Fenn, author of “To The Edges” in Winter Well and “So The Taino Call It” in Substitution Cipherposted on Thursday, May 16th.

Marissa James, author of “The Second Wife” in Winter Well and “Ancestors Enthroned” in Daughters of Icarus posted on Monday, May 20th.

Anna Caro, author of “This Other World” in Winter Well and “Millie” in Outlaw Bodiesposted on Thursday, May 23rd.

 


Embracing Potential Failure

I have a problem. I need to do an edit pass on a novel project and I need to fix a short story I have no target market for. I know what needs to be done to both projects, but I am having trouble motivating myself to do either. It isn’t that I hate edits, I don’t– not when working on them for an editor. But in my mind there’s a big difference between fine-tuning something someone has already seen merit in enough to want to publish, and fine-tuning something that might still be rejected. 

I’ve had a similar problem a grant I’m writing for work. I know there’s a pretty good chance my institution will be turned down for the grant no matter what I do. It’s hard to know how much the sequestration has effected various government programs and while the grants still currently say they’re open there might be much less money than normal to be awarded or even no awards to give. It’s hard to do what is A LOT of work and in formats my brain doesn’t naturally want to work in, for what is likely to be no benefit. However, there is still a chance, and this chance will greatly benefit my institution and my position if we do get the grant. It’s just very hard to motivate myself and I keep thinking something will just shift and change and my brain will be “oh sure, let’s do this thing!” and everything will be easy.  

It isn’t easy. What’s easy is telling myself it’s not worth the effort. It’s always worth the effort. I just have to remind myself the worth isn’t always in the supposed reward. Some of my most rewarding experiences in the long run, seemed like tremendous personal failures initially. 

I guess it’s a little bit how I see dating. Dating isn’t just about finding a life partner, it’s just as much about finding qualities and quirks you can’t possibly deal with in a life partner. I strongly recommend dating a long string of the “wrong people who fit the description of what you think you want” to those just starting out in dating. You’ll learn more about yourself and what you really want that way. I thought I wanted a partner who would dote on me, and I got that in my first boyfriend. His doting was linked to personal insecurities, obsessive behaviors, co-dependance, and eventually emotional blackmail. It turned out I really didn’t want to be someone’s whole world and I had other things I’d prefer to spend my time on. This experience SAVED MY ASS so many times when I ended up in various relationships (work, friendship, intimate) where people began showing signs of similar behaviors and I was able to take steps to avoid problems. 

Now I just have to keep reminding myself of that when it comes to writing and work. The things I think I want might not be what I think they are, and I should push forward towards failure as well as success to make sure I’m getting the proper bad experiences to keep me from having worse experiences in the future. Avoiding the potential for failure is only going to hurt me, not protect me.


Winter Roundup

BeastWithin3

 

Considering I haven’t been writing here, I thought I’d mention some of the writing stuff that’s recently come out or been posted elsewhere.

The most recent of which is Beast Within 3: Oceans Unleashed an anthology of aquatic were-animal stories. My story “Beneath Feathers and Fur” is about a were-penguin in a bad position and her were-otter rescuer who has problems of his own.

I wrote an article “There Are No Starship Captains” for Booklife Now about writing characters with experiences unlike your own.

Erik Scott de Bie and I were interviewed about our Cobalt City novellas at Lillian Cohen-Moore’s Blog

Speaking of Cobalt City: Double Feature, it came out on Nook as well as Kindle. In addition to the interview, I also talked about the editing process at Jennifer Brozek’s blog and about writing tricksters at Alma Alexander’s.  Timid Pirate Publishing has an Interview with Me, an article about Writing A God, and editor Caroline Dombrowski talking about how my story made her laugh so hard she got kicked out of a coffee shop.

And partially to make up for how I haven’t been writing here and partially as a winter holiday present I’ve put my story Death in a Lifetime up for you to read free.

Hope you have a wonderful holiday season and get to spend time with the people you love.


A Clarification Re: Boobs

Earlier today, I tweeted this. This actually garnered some comments about my “boobist” thinking.

I just want to set the record straight.

Boobs are awesome. They can be a pain (literally) to tote around one’s self, but I am firmly (perhaps jiggly?) in the pro-boob camp.

My complaint has to do with bad science and boredom. I am not suggesting we take out all boobs in games. I’d love to see more variety of boobs in games, sexualized male characters, and gender-neutral characters in games. I think sexy has its time and place, and I have no wish to do away with it. I am not a fan of games where stuff is done TO female characters rather than BY them, so I don’t play them. Likewise, if someone makes a sexy male vampire who gets nearly naked every time he transforms and the camera lovingly pans across his muscular thighs, I am not going to force brodudes to play it at gunpoint.

Much the way that most gamers want realistic physics in their games, I tend to want realistic biology even in mythical or alien species. There is a biological reason for boobs. That biology doesn’t make them less awesome, but there’s world-logic to them. If you break the world-logic by giving an avian species breasts, I want an in-game reason for it. Does that species undergo body modification for fun or profit because the universe is human-centric? That’s an interesting reason for non-mammalian species to have breasts.  There is a whole gigantic non-human world of species out there to draw upon for ideas.To simply make “breasts” the default for “female” is boring, not to mention LAZY game design.

 

 


Are you aware you stopped dying at U?

Well, yes. There are reasons for this– some good, some pretty dumb. The main one was I went from “how am I going to die this week” to “I… really don’t want to kill myself even fictionally right now,” which I think is a pretty good reason not to write something like that. If you ever find yourself arguing “Well, I really SHOULD kill myself off” it’s probably not a good thing, no matter the context. The other was when I erased my fictional self and broke the 4th wall, I felt like it was a good place to change what I was doing. No matter what I did I couldn’t really bring my fictional self back in the next episode, but I wasn’t quite sure what I should do instead. Once I figured it out, I was in the middle of a major deadline push and didn’t have the energy to do anything about it. I then pushed past burnout and got dangerously close to burn up.

For the months of November and December I’m taking a break from writing deadlines and doing stuff that helps me recharge. A little writing vacation. I’m playing video games (something I never do when I have writing projects), working through my to-read stack, cleaning the house (holy crap, deadlines sure breed dust bunnies), and getting around to stuff I haven’t done. *clears away cobwebs off this blog* Which writing here happens to be one of. I’m not going to claim to write here on any schedule (we all know that isn’t going to happen) but I do have several things about writing and research I’ve been meaning to post. Eventually I will even write the conclusion to Museum Mishaps where Intern Tilly goes in search of the now entirely missing Minerva.

I also have some other fiction I want to post, but I haven’t decided if a blog entry or a downloadable pdf would be best for. Any thoughts?

To sum up: Contrary to what it might appear, I did not actually really real die.


Unexpected Uranium

Minerva stared in horror at the box of rocks and tried to calculate exactly where her desk was in relation to where the box had been sitting. Had she really been sitting under a pile of uranium for the entire time she’d been working at the museum?

“You know that can’t really hurt you, right?”

Minerva looked up. “Who said that?”

“I did.”

“Who are you?” Minerva frowned.

“Your author, Minerva. You’re me, but you do dumb things that get you injured or killed. Things I’d never actually do, most of the time.”

Minerva clutched at her head. “Oh god, I’ve finally lost it. Now I’m hearing authorial voices.”

“Oh come on, admit it, you’ve always suspected. All the dying and the lack of any appreciable supporting cast… it was pretty obvious.”

Minerva pointed at the box of rocks. “Uranium? Am I dying in alphabetical order or something?”

“Pretty much. Though it turns out it’s pretty hard to die from uranium samples. There’s a reason they have to enrich the stuff to turn it into fuel. The radiation doesn’t travel very far and it’s effectively blocked by the box, let alone the floor and tin ceiling between you and it. Though, in my reality there is a box of uranium I’m not actually sure exactly where it is being stored.”

Minerva sat down on a folding chair. “So I’m safe?”

“I wouldn’t say that. You are fictional.”

Minerva shrugged. “But I’m you.”

“Well, yeah. It didn’t feel right to kill off friends and loved ones in flash fiction. Killing or injuring myself with
museum hazards has proven kind of therapeutic. I’ve had to research all of the things that I’ve assumed could kill me, and several of them are actually much less deadly than I thought. Though I really should get that tetanus shot…”

Minerva dusted off her hands and squinted up at the disembodied authorial voice. “Like the uranium?”

“I’m pretty disappointed about it.”

Minerva turned over her hands. “Guess I’ll just have to live this time.” She looked up and scrambled back out of the chair, crab-walking backward across the attic floor. “What’s that cursor doing here?!”

“Unexpected authorial interference.” The Author repeatedly backspaced until Minerva was erased entirely.


Oops… suddenly, the museum collapses

The average typewriter weighs around fifteen point six pounds. I don’t know how many typewriters the average museum has, but this one had 863. They were all stacked in neat rows on shelving units in one area of the attic (minus the 36 on display) over approximately 25 square feet. The floor beneath the units had always been a little creaky, but no one had given much thought to the load limit of the floor joists beneath the units.

Minerva certainly hadn’t. When she moved five typewriters from a shelf unit near the wall to one closer to the center of the room, it was the furthest thing from her mind. She was too busy thinking about how her back was going to be aching later and what she should make for dinner later. Sure the floor had complained under her weight, but it always did that. The building was nearly 100 years old.

At her desk on the floor below, Minerva didn’t hear the warning groans of snapping wood over the sound of her headphones. She noticed when the first piece of tin ceiling hit her desk, but by then it was too late.

Typewriters fell, Minerva died.


Always On The Top Shelf

It was cold in the attic. Minerva stepped around the plastic-draped and possibly animatronic Santa and looked up on the top shelf. There was, in fact, a moose up there. Only in museum work could you lose one taxidermied moose, and when you went looking for it– find three, none the one you were looking for. She reached up and turned over the artifact tag on the moose antlers.

Make that four meese, and one still missing. Damn things were breeding somehow.

Minerva backed up against the opposite shelving unit and peered up at the top shelf. It looked like there might be another pair of antlers up there, maybe two? She looked around for the step stool, but remembered it was downstairs.

She set down her clipboard on an antique saltines tin, and placed her left foot on the opposite shelf. She pushed off and got a foot on the second shelf of the moose shelving unit, her fingers hooked over the top shelf, the plastic dust sheeting over the moose antlers brushed the back of her hands. Minerva pulled herself up and stepped up to the next shelf.

There were four more sets of elk antlers and one very small set of moose. She reached across the shelving unit and started dragging the second set of antlers closer. As the antlers got close enough for her to almost read the tag, the shelving unit started to tip toward her. Antlers tumbled toward her and things on the lower shelves started to slide.

Minerva tried to shift her weight toward the shelving unit to stabilize it, but it’d tipped too far. She felt a disorienting rush of blood in her head as she and the unit fell into the other shelving unit with a crash. There was pain, then the second unit started to fall in a chain reaction.


Nibble nibble

The bottom of the cardboard box fell out and landed at Minerva’s feet with a putrid wet slap.
“Oh god,” she groaned, and then regretted the inhale of breath required for speaking.
The contents of the box were, to use a technical term–Beyond Reasonable Conservation. A layperson would probably say something like, “Auuugh it stinks!”
The plastic bags wrapping whatever had been in the box originally had been gnawed up into bedding. There were rat droppings throughout the contents. The whole thing would probably glow under blacklight like a horrible rave grab bag. In the middle of ruined artifacts and shredded wrapping, was a very large and mostly decomposed rat.
Minerva dropped the empty top half of the box and opened the large roll-door. The fresh air from outside was still tinged with the scent of excrement and rot. She looked down and realized the sleeves of her jacket were damp with filth.
“Great.”
This was how a quick trip out to move things in the shed building turned into a trip home for a full change of clothes and a scalding hot shower.
Minerva used a shovel to pick up the pile of wet trash. The rat corpse fell into two pieces releasing a new, stronger smell.
Maybe two showers.
She dumped everything on the trash pile outside, and went back in. The sooner she got this done, the faster she could get that shower. Minerva used a broom to smack the side of the next box on the stack. It was dirty and stained too, but mostly on the top, though there was some indication of gnawing by the handle holes.
Nothing moved in the box. Minerva hit it again. She heard scurrying over on the other side of the building and jumped back. She went to run hands over her hair, and stopped before she made the contamination worse.
She picked up the box and jogged a few steps, swinging the box back to fling it toward the trash pile.
Something shifted inside the box. A soft weight slammed into her hand. She let go, but not before something sharp bit into her hand.
The box fell to the concrete floor and a rat went drunkenly scurrying under a pallet. Minerva ran outside, heart pounding in her chest, and breathing in terrified gasps. Blood welled up in a series wounds across her fingers.


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